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About Sennheiser
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Mixing Tips
Panning:
Panning is used to differentiate
sounds in a stereo field. It helps the listener to perceive
the sounds as coming more from the left, center, or right.
Without panning, a lot of the tracks would interfere with
each other and be difficult to pick out as seperate sounds.
When you pan a track more to the left you are increasing
the level of signal sent to the left speaker, while decreasing
the level sent to the right speaker by the same level. This
sound is then perceived as originating more from the left
of the listener. There is no absolute rule for panning,
but there are some accepted guidelines.
In a band setting, bass guitar is generally left in the
center position. Drums are panned out in a stereo image
as a whole drum kit: bass drum is left in the center, snare
is panned slightly right, hi-hat is panned right, floor
tom is panned left, rack toms are panned accordingly, and
left and right overhead cymbal mics are panned left and
right. The result is a clear stereo image of a drum kit.
You can close your eyes while listening and hear the hi-hat
to the right, with the floor tom to the left. You can almost
point to where they would be in real life. This is the effect
of good panning. It gives the listener the illusion of a
sound stage from left to right. In jazz combo settings,
you may want to pan the drums to less extremes, or pan the
drums apart from each other, but to the side as a whole.
This can leave space for an upright bass to the other side,
and a soloist in the center. There is no one right way to
pan a mix. Panning can depend largely on the overall sound
desired, and the number of tracks in a single song. You
may want to experiment with different stereo placement of
individual tracks until the desired sound is achieved.
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