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About Sennheiser
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Miking Techniques
Flute
The fundamental range of the flute extends from about 247
Hz to 2,100 Hz, with overtones ranging all the way up to
6,000 Hz. Usually, the sound radiates along the player's
line of sight from the lip plate at frequencies up to 3,000
Hz. Above 3,000 Hz (the extreme overtone range) the sound
starts to radiate at a right angle to the player, toward
their right. When recording classical flute, the mic is
usually placed on-axis and slightly above the player between
3-8 feet away. When recording modern styles of music, this
distance often shrinks to between 6 inches and 2 feet. Mic
placement is somewhere between the lip plate and the keys,
depending on the balance of breath sound to body sound desired.
Placing the mic closer to the lip plate generally reduces
feedback and leakage in live settings, but can accentuate
too much breath noise without picking up much of the flute
body sound. Also, a saxophone clip mic can be clipped on
the headjoint and positioned to get the desired sound for
live performance. To get more of a room sound, you can use
a bloomlein, XY, or SMS mic set-up in addition to the close
mic. As always, you want these additional mics to be pointed
away from the flute at a distance to pickup the desired
amount of room reverberation. Whenever possible, always
audition the sounds for the player and get their response.
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