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About Sennheiser
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Miking Techniques
Clarinet
The practical sonic spectrum of the clarinet sound is somewhere
between 147 Hz and 12,000 Hz. The sound of the clarinet
radiates almost entirely from the finger holes at frequencies
between 800 Hz and 3,000 Hz. As the pitch rises more of
the sound radiates from the bell. One of the best single
mic placements is with a cardioid, hypercardiod, or omnidirectional
mic aimed towards the lower fingerholes between 6-12 inches
away from the clarinet. For more of a room sound, you can
try experimenting with a second omnidirectional mic pointed
away from the clarinet at a greater distance from the clarinet.
If there seem to be any frequency problems with this second
mic, try reversing the phase on the second mic. Also, a
bloomlein, XY, or SMS technique can work well for the room
sound (also pointed away from the player). Remember, you're
mainly trying to capture the reverberation and room sound
with these additional mics. Whenever possible, always audition
the sounds for the player and get their response
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